'I'm no scholar on the Stalker, Mr Williamson. I am just relating what my sight has revealed to me, provided Miss Violet can secure a specific time period for me to look into, I should be able to narrow down my search.'
Rebeka had never heard of the Stalker. Wasn't that what they all did? Night stalk? It took a while for the Neonates to explain what the boogeyman did, and then longer for Rebeka to understand. He ate children. It sounded like a whacky fairytale. Like something not real. Eating children was just a story that you told to children to make them go to bed. Rebeka was struggling to make it real, to make something of its fact beyond her endless suspension of disbelief.
That was the way of things. One minute you're little Eevie, eight years old, sitting on the counter in the kitchen drinking milk tea under the watchful eye of Robert - the next you're in a bath with a man you don't know, the stink of liver under your fingernails and the water around you running red. You start at one end of the experience, go through it, come out the other side. The moon sets. The next night you wake up just the same. There is weather. There is your fake human face in the mirror. The world, you discover, is a place of appalling continuity. There's your horror, yes. But your horror's a tide going out: every wave stops just a little further away. Eventually the tide doesn't come in anymore. Eventually there's just the sighing delta, the new you, the nothing.
The Stalker ate children. She was remembering an artwork she saw once in the new gallery: a foetus made entirely of barbed wire. She and her sister had just stood there looking at it, silenced.
Was she a child? At what age did you stop being a child to a vampire? Early adolescence? And did they mean child or childe? The pronunciation was the same... So busy was Rebeka with the concept of eating children that she was not focussed sufficiently on the stairs. As such, she was taken quite by surprise when the barman rounded the corner.
Her thoughts scattered with a weird collective sound, part fear, part delight that something unexpected was happening. Richy's face came up not, as convention would have it, in a blur, but as a vivid snapshot. She had brief awareness of the corridor's cold darkness and the man's soft warmth before Rebeka made the decision to just stay put; there was enough room for him to pass. Her Obfuscate would hold.
Then the door above her crashed open.
Awareness zero to sixty - instantly. All her body's alarms went off at once.
Time did what it does at these moments, expanded and slowed, created a space within which to observe the details - the white of the woman's wild eyes and her flared nostrils; Rebeka's own sharp intake of breath; the world as it sharpened for clarity; a pair of clenched fists that were literally red hot; and the sudden flick of her internal switch - before brain caught up with body and Rebeka made a strange hiccuping sound, realising belatedly that she'd reacted as if this was training and not reality and that that was probably very stupid in this context and definitely not necessary -
but she'd already done it
- as with a resounding crack across the woman's nose, Rebeka's strike hit home. Hysteria bubbled up into her throat.
What's more, she had judged the Neonate's momentum badly, and was now falling backwards, with the stranger, tumbling at ridiculous freefall through the air. A moment of suspension, her feelings jammed like typewriter keys (and distantly, pride; she'd never landed a hit on Viktor!) before she collided hard with Richy.