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Adagio for Heart Strings

Be it The Theatre Royal, The Ceryneian Theatre, or any of the smaller establishments serving to entertain the good people of Bath, here lies the feeling of sanctuary - of focus - and a tremble in the ether as the curtains rise, the music begins. Women touch themselves up - cosmetically - and their features glow and gleam: mouths like scimitars in claret, plum, sienna, smokily shadowed eyes with diamond hints and sapphire glints. Candle flames paint flickering reflections across the crystal chandeliers. Inside a Theatre is something pure, something beyond the Beast, immortalised in story and dance, the hard-won result of all the satirically polite personas, the rehearsals, the strict agents, the money and fame, the spotlights, the sweat, the pain and the blisters, the heartache and a final real catch-of-breath victory. Here is the playground of the performers.

Adagio for Heart Strings

Postby Erika Leroux » Sat Jun 17, 2017 1:47 pm

Erika sweeps into the theatre, the emotion in her overriding the pain in her leg, her limp almost forgotten. The waves of anger break over her repeatedly, white horses of fury. No. Not fury. Something more than fury. Something darker.

She wants vengeance. She wants to see pain. Drawn out, blood-seeping, silently screaming anguish, as the focus of her ire is ripped slowly, limb from limb. Nothing but final death will satisfy her desire any longer.

She nods to Matthew as she passes him. It is apparent that he has business with her, but one look at her demeanour tells him that now is not a good time. There may not be a good time for quite a while yet. He wisely decides that discretion is best, and simply nods back as she rushes onwards.

Finally she reaches their quarters, bursting in through the door, no thoughts, other than the fury, and her beloved ward. Stopping for only a few seconds to survey the girl in front of her, her expression, her dishevelment, the flames of anger are fanned further still. She knows too that if she isn't careful, Christine will be lost to her.

She sweeps Christine into her arms, holding her tightly, stroking her hair, silently letting her know that she is there for her ward, that she is the rock which will never fail her.

"Oh my sweet, my sweet. I'm here. I'm here for you. It's alright. I know."
She is the sunlight of my sunless nights.
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Erika Leroux
 
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Re: Adagio for Heart Strings

Postby Christine Daye » Sat Jun 17, 2017 2:43 pm

Christine looks up blankly as her Maestra enters the room, still singing:

"...crow on the cradle... what can we do? ... this is a choice that I leave to you..."


Her face crumples, and she hides away in Erika's arms, clinging to her for comfort, weeping like her heart has been shattered.

"...Maestra... how.... why.... how...? "

For several long minutes, the only sound she can make is noisy, heartbroken sobs.
Christine Daye - Malkavian neonate, harper and mezzo-soprano


Courteous, Acclaimed

Favoured by Antigone, Ashwin Major

Last night she came to me, my dead love came in

((OOC - Sarah Callaghan, sorcha.ni@gmail.com))
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