Certain reflexes of the imagination still fire (the wind is God moving His hands) but ultimately they all come to nothing. The world's emphatically literal. Appositely literal, since he's no longer, really, alive.
All good children go to heaven. Somewhere in the crenelations of his brain he knows this deep neural groove endures, but knows too that it was put there and might just as easily not have been. Whoever it was that put God in his head wasn't God, he was sure of it. And yet... here he was.
Blood gossips and thumps in his skull. Dorian had several good reasons for being here tonight. Logical reasons, each one religiously unrelated. But alone in the billowing rain he's not so sure. With the downpour his sense of direction dissolves; he feels it going - then it's gone. Is that the abbey on his left, or the right? The wet road passes under him in many more steps than he would've thought necessary, but still, there's the sandstone ceiling in front of him where the pillars meet overhead (mourners consoling each other, Anton had said in the preliteral days) and as he passes beneath the overhang, he can see the abbey.
With an inner start Dorian realises it's the first time he's asked himself why he's resisting - and in the asking simultaneously answers. The answer's been with him the whole time but given so often it's become like a word made meaningless by repetition. It would seem a laughably poor answer to Malota, or even Viktor. It seems a laughably poor answer to Dorian too, since it's no less absurd than the idea of piling up brownie points for a heaven that doesn't exist.
The blood's making him dizzy. He wonders again how long he's been here, staring at the church, at the burning glow of its open door like a hearth to another world.
A single, sharp pulse of pain drags something out of him.
With no idea how such a thing could be possible he finds himself pitching forward in what feels like slow motion (he has time to equivocate between reason's ditch and the fever's less rational: portal to another dimension) before sudden contact - a terrible flash of pain in his left knee and right shin - brings physics back.
Rockingly back, in fact, with anger and humiliation. At his first convulsive reflex - to get to his feet - the pain sears, yanks a cry from him, a pure sound of himself he hasn't heard since the Brujah, and for a split second he expects to see them standing over him.
Despite the pain he has to think the manoeuvre through. Use your hand to feel where the edge of whatever it is is. Farm tool or carriage part? Some sort of wheel spoke - ah - very well, a carriage, yes that's the the backstep, now grab the the tailboard. There. That's the top. So now you roll, take the weight on your elbows.
A sodden fox trots past, a vision of urgent purpose from tail-tip to snout that hasn't changed since the species arrived. Without God there's only the richness of the accident and it makes no sense to praise accident; still, moments like this display painfully sharp how creatures have the beauty of being undividedly themselves. How long had it been since he'd seen a fox, let alone this close?
Animals were immune to some aspect of Obfuscate. Dorian had his theories. (One of the last things he had, actually.) Within seconds the wet flaxen tail was gone, startled by his undefined presence.
There was no denying the temptation to lie still, close his eyes, go out, go quite out. The ditch smells of waterlogged earth, an unbankruptable freshness, the planet's thrusting monomania for renewal even in the centre of the town. If the human dead weren't dead this is the force they'd feel pushing through eye sockets, ribs, jaws, the upheaving freight of microbes and nitrates. Sorry, can't stop: Life.
Suddenly the rain comes down harder. The downpour's added twenty pounds to his clothes. The ditch bottom's flooded but for a few moments he has no choice but to lie with his right side partially submerged. No idea how he could have gone so wrong. He rolls onto his side, gets up on one elbow, snarling in silence. With a twist he rights himself flush to the iron spokes, and is upright.
*
He gives a laugh - it may as well be hysterical - because the locked backdoor is more solid than he remembers (inches of wood with cast iron straps, fool). His ulna's clearly broken and the instinctive knee-jerk reaction to heal the agony that lances through his shattered fist strips him of the last of his blood. He hated Potence.
Consciousness only lasts a couple of seconds but in that time he suffers a surge of claustrophobia, caught between the broken door and the yawning empty dark. Was this the tunnel to the catacombs? The treasury?
An eternal three seconds of something like mild outrage - then he falls to Torpor.